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Wagon Wheel Motel: A Slice of Americana Slowly Decays — Then Disappears For Good

June 29, 2011 by Lonnie Lardner

 

(Pic #1) Wagon Wheel Motel - A Day of Demolition

Oxnard, California:

Back in the 1960s, my husband’s Russian grandmother Rose used to call it “The Vagon Wheel” or alternatively, “The Wagon Veal.”  Her “Ws” never matched, but hearing her say either one of those phrases always gave his family a chuckle. So when I first passed by this iconic, uber-quirky structure in the 90s, I’d have to say it that way too. I still do. Even though now — it’s a heap of broken beams and splintered glass. (Pic #2)

(Pic #2) Wagon Wheel demo site: March 27th, 2011

A structure with history — but not “historical”

The somewhat awkward looking freeway-flanked motel was built on the site of an old hog farm by Martin V. Smith in 1947. It became a Southern California landmark, a popular stop for cross-country vacationers, or Angelenos passing through to Santa Barbara. According to Steve Chawkins of the L.A. Times, the kitchy roadside stop…

“…was decorated by a Hollywood set designer when westerns ruled the screen, it was a spot where residents would take out-of-towners for a thick steak, where visitors would enjoy cocktails on the barroom’s cowhide seats and gaze at the brands of local ranchers burned into the beams above.”

(Pic #3) At least they're saving the sign

(Pic #4) Last days: March 6th, 2011

The Wagon Wheel was considered  an authentic example of American roadside architecture from the mid-century (Pic #4).  But it didn’t make the city’s cut as a designated “historical landmark.” And local preservationsists from the San Buenaventura Conservancy lost the lawsuit to keep the main motel building in tact, before the 64-acre commercial swath makes way for 1,500 new homes — including two 25-story apartment towers.

 

(Pic #5) A classical take on urban decay

“Time orders Old Age to Destroy Beauty” 1746, by Pompeo antibiotics Girolamo Batoni

This has always been one of my favorite classical paintings – which I stumbled upon during a visit to the National Museum in London when I was 18. To me, the title is as daunting as the work: “Time Orders Old Age to Destroy Beauty” – by Pompeo Girolamo Batoni, commissioned in 1746. The winged figure of Time (foreground), who holds an hourglass, commands Old Age to obliterate the stunning woman’s elegant visage. (Pic #5)

In his recent article – referring to the ultimate destruction of  (what I might call ) this “funked-out” piece of property — Chawkins uses the phrase “wounded by time.” He nailed it.

(Pic #6) Nature always finds its way

In the last few years, it became abundantly clear that time had ravaged this admitedly unconventional example of modern day architecture.  As tourists sped by on the 101 Freeway, they could see the abandoned property had turned into temporary digs for transients and a playground for skateboarders.  The structures’ shingles buckled, their paint peeled, wiring was stripped by scavengers, and weeds and brush tried to push up and reclaim what was once theirs – as nature always does. (Pic #6)

(Pic #7) "The last room available" March 27th, 2011

While the Wagon Wheel façade may not be considered “classic looks” by any stretch, its originality – its authenticity – cannot be denied. But it had sadly become what conservationist Stephan Schafer calls “the victim of calculated neglect.” (Pic #8)

(Pic #8) Victim of "calculated neglect?"

Still, photographing the gradual demise of the Wagon Wheel, I found what I consider to be a series of lovely abstract images – documenting her decomposition. A sort of visual record of “Time ordering Old Age to destroy  Beauty.”

(See next post for additional images.)

Photo Credits: (Pics #1–7): Josh Kaplan, (Pic #8): Juan Carlo Mendoza, Ventura County Star.

 

 

 

 

 

 

Filed Under: Newsmakers Tagged With: American history, americana, Batoni painting, disappearing roadside icons, National Museum, new development, oxnard, roadside architecture, urban decay, Wagon Wheel Motel

Your lying eyes?

June 16, 2011 by Lonnie Lardner

(Pic #1) Photo of "Ducky"- the floating cat?

Perception may not be reality.

GUEST POST by Josh Kaplan, Photographer

The camera never lies. But it can easily mislead, confound, and warp perception, just like any artist’s tool.

A slight shift in angle, or light, or composition and suddenly something totally mundane becomes slightly mind-bending. I was playing with some new lights recently, and had the genius idea of shooting some pictures of our cats. (Partly because they are visually interesting, but mostly to curry favor with my wife).

I set up a black backdrop, in the hopes the cats would blend somewhat magically into the background. Let’s skip past for a moment the obvious question of what made me think I could get cats to pose for studio-type photos and move on to what I actually captured.

(Above, Pic #1) Here she is, our cat Ducky (don’t ask). She appears to be levitating, or at the very least, seems perched on her right rear leg. It seems an unusual pose, but the more you look at it, the more it makes sense. Because the background is black, and you can’t really see any detail or sense any perspective from the floor – except for Ducky’s anti anxiety somewhat overweight body – your mind has to extrapolate visual data that really isn’t there. It catalogues what it sees, compares it to things it has seen before, and completes the picture for you.

Except…

(Pic #2) Ducky's actual pose

(Above, Pic #2) This is actually the way it was shot. The first image was flipped upside down. In reality, the cat is lying on her back, or more accurately, halfway between her left side and her back. Having trouble seeing it? That’s partly because you have already seen the other image, the upside down one, and your mind has processed that and put the finished picture into your memory. But it’s also a reminder that we are used to seeing things a certain way. A photo of a cat standing is more common than one lying on her back, and since there is no background for reference, “cat standing” fits more easily into our subconscious bias about what the scene should look like.

This shot was a happy accident. I didn’t set out to make a point.  But more often, artists challenge our visual assumptions by design. That’s one of the coolest things about art.

Filed Under: Creative Zone Tagged With: believe what you see?, cats, eyes vs: brain, perception and reality, photographic revelation

Adversity: Shakespeare Was Right

June 10, 2011 by Lonnie Lardner


 

Sweet are the uses of adversity,

Which like the toad, ugly and venomous,

Wears yet a precious jewel in his head.

–William Shakespeare

Meet Sung-Bong Choi. A 22-year-old day laborer who says he knows he doesn’t sing very well. When you hear his story on the clip above, you’ll understand why his self-esteem sits at such a low ebb. Dumped in an orphanage at 3, he ran away at 5 because “they beat him”  and he ended up selling gum on the streets and sleeping in public toilets for the next decade. After sharing what can only be described as a Dickensian account of his early antidepressants life, Choi hesitantly sang for  the judges on “Korea’s Got Talent.”

He wowed everyone in the audience, including the judges, with “Nella Fantasia,” the pop opera tune first recorded by Sarah Brightman. The audience quickly moved from laughter to weeping. The judges offered hugs, vocal lessons and a ticket to the next round.

The comparisons to songstress Susan Boyle are inevitable. (The Scottish woman who became a pop sensation in 2009 after her unlikely success on “Britain’s Got Talent.”) My hope is that Sung-Bong Choi finds comfort and love in what is about to become a dramatically different new life.

Filed Under: Newsmakers Tagged With: innate gifts, Korea's got Talent, overcoming adversity, Sung-Bong Choi

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