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The Artist’s Intention: WTF?

November 30, 2013 by Lonnie Lardner

gumby 1 for tlr

(Pic #1): The Lardner-Kaplan niche (top)

Guest post by Josh Kaplan
One of the best things about art, in fact maybe my favorite thing, is that it’s the one place where you can make a statement, and never have to explain, justify, or back it up.

gumby close up 4tlrHere’s an example: an installation at our house, above our garage – where you find  an arched niche. This is an architectural accent found in Spanish-style homes and in Catholic Churches dating back to the 12th Century.  They are recessed portals designed to give emphasis and protection to the saints or statues on display inside.   As you can see, that place of honor at our house is now occupied by a Gumby figurine.

What does it mean?

Well, Lonnie was raised Catholic, and went to Catholic school, but as she grew older she had many unanswered questions about organized religion. It also began to bother her how quickly and thoughtlessly we bestow our worship on things and people who don’t really deserve it. So this is a piece questioning the dogma of religion, and the superficial entities we raise to the level of deity. Except. — I’m lying. I just made that up. Lonnie’s art doesn’t tend to be that philosophical.

When we bought the house, it felt to Lonnie like the last stage of becoming a grownup. The responsibility seemed overwhelming. So the Gumby represented her inner child’s last desperate grab for a piece of her consciousness.

OK – that’s cipro B.S. too.

What’s the point? If either of those stories had been true, and Lonnie had shared them, they would have fundamentally changed your perception of the art. To me, the really transformative thing about art is that it can touch something deep inside you, but that something is different in everyone. It shouldn’t be dictated by the artist.

OK – you have been patient, so here is the real story. When Lonnie turned 7, her mother bought her a Gumby doll, and she loved it the way only an 7-year-old can. Well that summer, she was tossing Gumby in the air, and he landed on the window ledge on the third floor of her junior high school. Gone forever. She was wrecked.

She told me that story a few years ago, and so I bought her a new Gumby, just to make her smile. Then I velcroed his feet onto the bottom of that empty alcove so she would see it when she pulled in the driveway every day. See, it wasn’t artwork at all, just a private gesture from me, to her.

That is, until last weekend – when a stopped-up drain prompted a call to a plumber. Johnnie arrived a couple hours later, knocked on the door, and before even introducing himself, he said, “Hey, before we get started — I gotta tell you — I am really digging the Gumby.”

Now that’s art.

Filed Under: Found Art Tagged With: architectural niches, artists' intentions, defining art, Gumby, interpreting art, meaning of art

Who Says It’s Art? You Do

October 30, 2013 by Lonnie Lardner

Banksy on Hustler door NYC 4tlr

(Pic #1) Banksy street art ambushed onto the security door to Larry Flynt’s Hustler Club in Hell’s Kitchen, NYC. (2013)

Guest post by Josh Kaplan

I often ask Lonnie (to her unending annoyance) why a Jackson Pollock canvas can sell for millions of dollars, while a piece she did to show some students the method Pollack used, is worth nothing. I point out, the two paintings look pretty much the same. She always explains, that Pollack created a new dimension to modern art, a new genre, something that had never been done before, and therefore had an intrinsic value that copycat work could never match.

It’s a reasoned argument. It makes perfect sense, but to me it has a degree of mysticism attached to it, if not a degree of hogwash. Which is why I noted with glee the experience that some New Yorkers had over the past month.  The infamous graffiti artist Bansky, trying to prove whatever latest point he was trying to prove, set up a stand in Central Park selling some of his original works. He also arranged for a cameraman to record the whole thing.

 

For those of you who follow art, you know that Banksy’s work fetches hundreds of thousands of dollars. Each. He had his representative sitting there with 40 originals ambien comparison priced at 60 bucks apiece.  They looked like Banksys, the sign guaranteed they were original Banksys, but at the end of a long day, the poor guy sitting there had sold 7 pieces. Total.  $420 bucks.

Once the story got out, and all those New Yorkers realized they had blown their chance to make a financial killing, there was the expected hand wringing. So no big surprise that a week later, three artists opened up a booth  selling admittedly bogus Banksys. Fakes. Replicas of the 40 originals that no one wanted the week before. Each painting even came with a “Certificate of Inauthenticity.”  They sold out. Fast. The artists said they did it to complete Banksy’s point about the nature of hype and art.

So what is the moral of the story? There really isn’t one, except perhaps this. As I have seen with Lonnie over and over again,  anyone involved in an artistic venture faces a powerful temptation to allow a critic, or potential buyer determine for you the worth of your creation. That is often a heartbreaking proposition. It’s hard not to take it personally, but the next time it happens to you, try to remember, you are selling an original masterpiece, but your audience may have their heart set on a cheap imitation.

 

Filed Under: Newsmakers Tagged With: art fakes, art hype, Banksy, Banksy stunts, contemporay art, graffiti, street art

The Magic of Seeing More

September 30, 2013 by Lonnie Lardner

Brain eye trick cropped 4tlr jpg

Stare. Then stare again. Watch this dude turn his head – and see what it does to yours.

It’s one of those annoying, ubiquitous internet photo posts. I used to think images like this were hokey and stupid. Now, I let the inspiration flow.

What?

You see, I now know that anytime something challenges us to see things in a fresh new way, it’s a win. The experience stimulates our own creative thought – and gifts us with a superpower surge of inspiration. It’s a fair payoff if we just allow our minds to open.

Research continues to prove that brainteasing activities enhance both creative thinking and problem-solving. These kinds of mind games can actually jumpstart  both sides of the brain — the creative and the analytical.

Artists habitually take a different view – it’s how they’re wired. But we all have the capacity to cultivate the skill of truly “seeing” more than meets the eye.  If you  practice this freely, brace yourself for hot streaks of originality and innovation.

Filed Under: Creative Zone Tagged With: artist's view, brainteasers, creativity, innovation, inspiration, mind games, originality

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