(Pic #1) Brooklyn surprise. Weathered wall and signage —  instant abstraction.

It’s a legal high I can’t fully explain. While I’ve had the opportunity to visit some of the most extraordinary museums all over the world, there’s nothing like discovering an exciting image on weathered urban walls, sidewalks, or curbs. There’s something I love about “unintended” art — the kind that appears with age or years of neglect.

(Pic #2) One of  Jackson Pollock’s early  1950s “Black paintings.”

The above “painting” I suspect started out as a parking sign glued to the building in historic Red Hook, Brooklyn. The white curvy lines would be where the glue was placed. What makes this work for me is the contrasting background colors of dark blue and black. Also, that the unpainted top beige strip appears inside the painting as well. It’s almost as if the whole thing was planned.

The next place my brain visits is my mental catalogue of key images in art history. Truth is, I don’t need to liken one decrepit old wall with a legit artist — but it just happens in my head. It just might be a way to “justify” my find.

In this case, I took a deep dive back into the work of abstract expressionist Jackson Pollock, who made a series of black-and-white paintings before he became known for his multi-colored “action” or “drip” works.

The lesson, each time I explore the streets of any urban landscape, is that art is in fact, everywhere.