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Moving To Bokeh

May 31, 2015 by Lonnie Lardner

(Pic #1) Ventura County Cali House Finch showcases "creamy bokeh" effect. Photo by Josh Kaplan

(Pic #1) Ventura County House Finch showcases “creamy bokeh” effect. Photo by Josh Kaplan

Even before photography was invented, the great masters of fine art knew the value of “forcing our focus.”

Sometimes, negative space can be just as important as the positive. Maybe even more.  A subtle, but nuanced background can highlight exactly what the artist wants to feature – instantly. By watching my husband produce some stunning shots of nature (Pics #1 and #2) I’ve come to learn about “BOKEH.” In Japanese, the word literally means “blur.” The tech can be better explained by the experts here.

(Pic #2) "Mukluk" and her soft, embracing  negative space. Photo by Josh Kaplan.

(Pic #2) “Mukluk” and her soft, enrobing negative space. Photo by Josh Kaplan.

To me, it’s a sensual photographic effect (rendered by the lens) that illustrates a basic principle of art: It is just as crucial to consider the quality of the background as the subject out front. Check out the paintings valium below by Rembrandt, Sargent, Klimt, and Magritte. Each oil showcases its subject (human form, nature or fantasy) by soft-focused support, created by blending, texture, and manipulation of paint.

Today’s “painters” (digital photographers) can set up their background-foreground relationship with a solid understanding of “depth of field.” And mastering “bokeh”becomes a sort of 21st century advanced painting technique that enriches that all-important interplay.

(Pic #2) The Storm on the Sea of Galilee" by Rembrandt, 1633

(Pic #3) “The Storm on the Sea of Galilee” by Rembrandt, 1633

(Pic #2) "The Kiss" by Gustave Klimt, 1907

(Pic #4) “The Kiss” by Gustave Klimt, 1907

(Pic #4) "Son of Man" by Rene Magritte, 1964

(Pic #5) “Son of Man” by Rene Magritte, 1964

Madame X copy

(Pic #6) “Portrait of Madame X” by John Singer Sargent, 1884

Filed Under: Creative Zone Tagged With: background blur, Bokeh, negative space, painters and photographers, photography, photography tips, soft focus

Brace Yourself: The Love Affair Between Art and Tech

January 31, 2015 by Lonnie Lardner

It’s an advertisement hawking Adobe software products. It’s exciting and scary at the same time: I know that it’s a futuristic vision of graphic applications, but I also know in about 18 months just might be considered “old school.”

Still, there is a surprising intuitiveness in these design elements: basically no lag time between the artist’s thought and the action on screen. It’s almost like finger-painting in kindergarten. What we slop is what we get.

The exciting alcoholism truth to emerge out of this partnership is: Artists – known for thinking in radically different ways – are now helping shape advances in technology, and it appears Adobe is responding to their needs. Because of this symbiotic collaboration, head-exploding innovation is practically guaranteed. And perhaps most important: better tech serves our creative spirit.

Related link: Creative pros like Macs, but Adobe cozies up with Microsoft 

Filed Under: Creative Zone Tagged With: Adobe products, art and tech, digital future, new art forms, shortcuts in digtal art, touch enable

New Year’s Revelation: Artists Make The Rules

December 31, 2014 by Lonnie Lardner

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(Pic #1) My new 4-year-old muse for 2015. Painting at our Hope’s Nest Christmas Art Workshop at Algin Sutton Recreation Center, South Central Los Angeles.

“Yes, Reindeer Can Be Red.”

This coming year, I am resolving to find fearlessness. The kind of fearlessness that showed up last week in the most unexpected place: at our annual Christmas Art Workshop in the heart of L.A.’s inner-city. 200 young artists with about 199 wildly different approaches to the art projects presented to them. (Pic #2).

The highlight for me came in the form of a question. A young man I had never met before began to tug on my shirt asking, “Miss, can you please tell me what color the antlers are on Santa’s reindeer?” I gulped. The former news reporter in me wanted to answer with scientific research (or course they are light brown, or beige, much like their coats of fur) — while the artist in me wanted to say, “You are the artist. You get to paint them any color you want.” Thank God I was able to let the artist out.

IMG_2055 2

(Pic #2) Young artist models her “all buttoned up” Christmas stocking.

I began to see that erectile dysfunction almost every child had “invented” his or her own color scheme, and that I might have been the only one tempted to search a National Geographic documentary for the “right” answer. The boy who asked me began to paint his antlers bright orange, and I nearly cried.

IMG_2057 copy

(Pic #3) Pollock “splatter” painting technique

The girl next to him chose baby blue, and her sister went with black. I couldn’t have been happier. One girl actually covered over all of her back-and-white lines to create an abstract cloud of sparkly bliss. (Pic #4) Another painted a free-form, textured Jackson Pollock. (Pic #3) Color me ecstatic.

I need to remember there are no rules in art — and if only for a second we think there are — we have lost touch with those critical creative qualities we are born with: an innate sense of exploration, experimentation, freshness, and whimsy. These are the touchstones of great art – and I thank God I get to witness them in their full glory every year. Whenever I am short on inspiration, I will remember the reindeer.

2 girls and sparkly abstract copyJPG

(Pic #4) Left: Two artists collaborate.  Right: Close-up: Sparkly abstraction

 

 

Filed Under: Creative Zone Tagged With: artists, breaking the rules, finding fearlessness, inspiration, new year's resolutions

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