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Desert Junk: The Art of Change

December 31, 2018 by Lonnie Lardner

(Pic #1) A whimsical meshing of sheet metal and coil by Noah Purifoy. Joshua Tree Outdoor Museum, Mojave Desert, California. (Photos by Josh Kaplan)

How one radical sculptor changed the Southern California landscape.

At first glance, you can’t help but say, “Wait, what?” Then you begin to explore the work — and its poignant themes — and you realize you’re in the midst of something big. The artist’s name is Noah Purifoy — an African-American born in 1917 in the segregated south — with an extraordinary gift for creative expression and sobering commentary.

I could have wandered to 10-acre installation for days. Each turn I felt a sense of glee, as if I were the first visitor to this extraordinary gallery under the sun. The sculptures appear to be just as dramatic as I imagine they were when they were installed. Maybe even more so, as they become weathered and decayed — showing new layers of color and texture — over the last 30 years.

(Pic #2) Artist Noah Purifoy in his Los Angeles studio in 1970.

”From the Point of View of the Little People” (1994) is probably Purifoy’s most famous construction (Pic #7 below): a row of weathered jeans, boy-sized, “standing” over sneakers and placed in a row on an elevated ramp. Experts say this might be another visual reference to the practice of lynching, as in a larger piece titled, “Gallows.” (Pic #8).

Most of the time Purifoy started with found objects collected from the streets of Los Angeles. Later, when he moved to the desert, people started offering him things, knowing he was “looking for junk.” The artist once said, “The object turned into an idea.”

From 1987 until his death in 2004, Purifoy built over 100 environmental sculptures in Joshua Tree. The fierce desert winds and unforgiving heat have taken their toll on his work, but he always acknowledged that they would experience change. He seemed to have no issue with that — as he was quoted as saying, “I do artwork, I don’t do maintenance.”

Honestly, based on that statement alone, Noah Purifoy just might be the coolest artist I’ve never met.

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Did you know? Noah Purifoy also co-founded the Watts Towers Arts Center in 1964.   Please scroll down for the complete photo collection.

(Pic #3) TV Land installation by Noah Purifoy.

(Pic #4) Sculptures by Noah Purifoy. Right: “Old Volks at Home.” (1994)

(Pic #5) Installation by Noah Purifoy. (Right)

(Pic #6) “Aurora Borealis” Installation (1999-2000) by Noah Purifoy

(Pic #7) “From the Point of View of the Little People” by Noah Purifoy. (1994)

(Pic #8) “Gallows” by Noah Purifoy. (2003) The last piece constructed before he died. Photo courtesy The Noah Purifoy Foundation / Joshua Tree Outdoor Museum.

(Pic #9) Metal sculpture by Noah Purifoy.

(Pic #10) “Gas Station” (1992) Photo courtesy The Noah Purifoy Foundation / Joshua Tree Outdoor Museum.

(Pic #11) Sculpture and totem by Noah Purifoy.

(Pic #12) Sculpture by Noah Purifoy.

(Pic #13) “No Contest” (1991)

(Pic #14) Sculpture by Noah Purifoy.

(Pic #15) Installation by Noah Purifoy.

(Pic #16) Archway by Noah Purifoy.

(Pic #17) Yes, these are what you think they are. Sculpture by Noah Purifoy.

(Pics 18 + 19) Installations by Noah Purifoy.

(Pic #20) “Quonset Gallery, 1990s” installation by Noah Purifoy.

(Pic #21) Classic Joshua Tree, and a hut to die for.

(Pic #22) Whatever is left of a fabric-wrapped totem.

Filed Under: Artist Spotlight, Found Art Tagged With: art, desert art, desert junk, Eco-Art, environmental art, environmental sculpture, Joshua Tree outdoor museum, Noah Purifoy, sculpture, Watts Towers Art Center

The Art Of Knowing What Matters

November 29, 2018 by Lonnie Lardner

How the Southern Cal wildfires forced me to “go deep” — again.

(Pic #2) Safe! Classic blades from the 1960s.

One of the things artists do, is draw attention to what’s important, or at least to what they think is important. They do this with shape, color, texture, light, and shadow. That part is easy. The hard part is knowing what’s important. It’s true in art, it’s true in life.

On January 17th, 1994, I was in Lake Tahoe on assignment when the Northridge earthquake struck. Within hours I had learned that my personal sanctuary, my house-on-stilts in Coldwater canyon was a total loss, and had been red tagged. It was deemed uninhabitable, and more than that, just stepping foot in the house would be not only foolhardy, but illegal. However, my things were in there, and I wanted them. No, I needed them. When I got to the house, the driveway was literally torn away from the street. I could look down and see the canyon. But I hopped over the crevice and went in anyway.

I needed my mementos, my artwork, my clothes, my important papers. Understandable right? Those things are important. But — apparently I also absolutely had to have my ice skates, which I hadn’t worn since I was 16, and my cookware, which got less use than my ice skates. In that moment I had lost all sense of what was important. When I got back on solid ground, physically and emotionally, I swore that would never happen again.

(Pic #3) The view from our house, as we heard calls for mandatory evacuation.

Then a couple weeks ago my neighborhood caught fire. Josh was at work when the word came to evacuate. He told me to get together the things I absolutely couldn’t live without, and he would pick them up in a couple hours. In the meantime, I would grab the cats, and go. I won’t go into detail about the huge pile of curious things assembled for him to retrieve, I will only say I’d forgotten my pledge.

I am not sure exactly what the lesson is here. Except to say this: The firestorm has passed, hundreds of homes were burned, ours was spared. The people I love are safe. My cats are happy and healthy. I still have my ice skates. I also have, once again, a commitment to focus on what’s important. My hope is that I will remember to give those things shape, and color, and texture and light, and leave the inconsequential things in the shadows.

Wish me luck.

Filed Under: Newsmakers Tagged With: assessing what matters, earthquakes, forces of nature, life vs: property, losing everything, Southern Cal wildfires, thousand oaks fires, what's important, wildfires, Woolsey fire

The Holy Truth About Halloween: It Never Was About The Candy

October 31, 2018 by Lonnie Lardner

(Pic #1) Young artist contemplates the next level of color. Laser focus. The Next Gen Helen Frankenthaler?

For the last 30 years, we’ve sponsored art workshops for children in the often forgotten heart of the inner-city, South Central Los Angeles. Since 1988, we’ve offered holiday painting sessions with no rules. The community turns out very time, and an unbridled sense of self-expression — though paint, glitter, beads and pipe cleaners — takes over the neighborhood park. Toddlers, teens, grandmas and Moms sit with one another for hours — making art.  I’ve written about this experience many times. And each year I think — have I hit the wall? Will these workshops become more of a hassle than a beacon of light?

NEVER.

(Pic #2) World famous abstract painter Helen Frankenthaler in her New York studio, 1969. Photograph by Ernst Haas / Getty Images

Every year, we witness fearlessness, freedom of artistic expression, and for a few hours, the absence of anyone telling the kids they have to “do it this way.” They splatter paint; they collage. They toss glitter all over the room, and in the end, they’ve spent the day like an artist: exploring, pushing the envelope, and having a blast. There’s no angst, no second thoughts, no insecurity. I guess you could call it a brand of reckless abandon that starts with no real plans to speak of, a table full of colorful clutter, and ends with remarkable original work. And they don’t even know it. Nor do they care.

More often than not, I see kids using materials in ways I had never thought of — and I’ve been making art since I was four. My artist friend, Julia Strickler volunteers every year. Today she told me she’s “in constant awe” observing how open the children are — that even when they’re shy, “art creates a connection.” And you can’t help but notice they just ooze pure joy. Julia says when they make something that is uniquely theirs — “every detail is beautiful — the colors, the sparkles, and even the drips.”

Picasso once said, “Every child is an artist. The problem is how to remain an artist once we grow up.” I’m hopeful these extraordinary talents figure that out.

BTW, I didn’t see one child playing games on his Mom’s iPhone, nor did we hear any whining. Check out our photos and maybe you’ll see why.

 

 

 

Thank you, Benita Dixon and staff at the Van Ness Recreation Center for welcoming our Hope’s Nest volunteers into your most spirited, creative commmunity.

 

Filed Under: Creative Zone Tagged With: art in the parks, Halloween, Halloween art, Hope's Nest, inner-city arts, inner-city kids, kids' art, Kids' painting

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