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An Artist’s Mission: Keep An Open Mind

August 30, 2020 by Lonnie Lardner

(Pic #1) My first foray into lawn gnome culture. Meet a rusty old rabbit named Mike.

About a year ago I set out to buy a lawn gnome for a colleague of mine. If that makes you chuckle, it did me too. I really just like the sound of those two words together. Say it with me: “lawn gnome.”

But I guess I was a little snobby about garden sculpture, especially if it was literal or in any way recognizable. If you follow my posts, you know I’m partial to abstraction. The less identifiable the form, the better. But part of an artist’s raison d’etre is to see—and help others look at their surroundings, everyday objects, and life around them. So dismissing any form of art deprives us of connecting, not only with art, but with innovative ideas and each other. Seeing something fresh and new is the best way to enrich our lives.

As an artist, I now know it’s my job to keep a completely open mind. So when I saw the rusty rabbit above, in a Carpenteria Nursery called Seaside Gardens, I had to have him — and share with you. Yes, he’s made from discarded metal trash, but I like his roughness, pastel stripes, and simple lines. And who knows, in a few weeks, we may be celebrating the births of dozens of rusty baby bunnies in our fragrant bushes of lavender.

Filed Under: Creative Zone, Found Art, Uncategorized Tagged With: Abstract art, art from trash, artist purpose, Eco-Art, garden sculpture, gardens, landscaping, Lawn gnomes, literal artwork, representational art, snobby taste, taste in art

Desert Junk: The Art of Change

December 31, 2018 by Lonnie Lardner

(Pic #1) A whimsical meshing of sheet metal and coil by Noah Purifoy. Joshua Tree Outdoor Museum, Mojave Desert, California. (Photos by Josh Kaplan)

How one radical sculptor changed the Southern California landscape.

At first glance, you can’t help but say, “Wait, what?” Then you begin to explore the work — and its poignant themes — and you realize you’re in the midst of something big. The artist’s name is Noah Purifoy — an African-American born in 1917 in the segregated south — with an extraordinary gift for creative expression and sobering commentary.

I could have wandered to 10-acre installation for days. Each turn I felt a sense of glee, as if I were the first visitor to this extraordinary gallery under the sun. The sculptures appear to be just as dramatic as I imagine they were when they were installed. Maybe even more so, as they become weathered and decayed — showing new layers of color and texture — over the last 30 years.

(Pic #2) Artist Noah Purifoy in his Los Angeles studio in 1970.

”From the Point of View of the Little People” (1994) is probably Purifoy’s most famous construction (Pic #7 below): a row of weathered jeans, boy-sized, “standing” over sneakers and placed in a row on an elevated ramp. Experts say this might be another visual reference to the practice of lynching, as in a larger piece titled, “Gallows.” (Pic #8).

Most of the time Purifoy started with found objects collected from the streets of Los Angeles. Later, when he moved to the desert, people started offering him things, knowing he was “looking for junk.” The artist once said, “The object turned into an idea.”

From 1987 until his death in 2004, Purifoy built over 100 environmental sculptures in Joshua Tree. The fierce desert winds and unforgiving heat have taken their toll on his work, but he always acknowledged that they would experience change. He seemed to have no issue with that — as he was quoted as saying, “I do artwork, I don’t do maintenance.”

Honestly, based on that statement alone, Noah Purifoy just might be the coolest artist I’ve never met.

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Did you know? Noah Purifoy also co-founded the Watts Towers Arts Center in 1964.   Please scroll down for the complete photo collection.

(Pic #3) TV Land installation by Noah Purifoy.

(Pic #4) Sculptures by Noah Purifoy. Right: “Old Volks at Home.” (1994)

(Pic #5) Installation by Noah Purifoy. (Right)

(Pic #6) “Aurora Borealis” Installation (1999-2000) by Noah Purifoy

(Pic #7) “From the Point of View of the Little People” by Noah Purifoy. (1994)

(Pic #8) “Gallows” by Noah Purifoy. (2003) The last piece constructed before he died. Photo courtesy The Noah Purifoy Foundation / Joshua Tree Outdoor Museum.

(Pic #9) Metal sculpture by Noah Purifoy.

(Pic #10) “Gas Station” (1992) Photo courtesy The Noah Purifoy Foundation / Joshua Tree Outdoor Museum.

(Pic #11) Sculpture and totem by Noah Purifoy.

(Pic #12) Sculpture by Noah Purifoy.

(Pic #13) “No Contest” (1991)

(Pic #14) Sculpture by Noah Purifoy.

(Pic #15) Installation by Noah Purifoy.

(Pic #16) Archway by Noah Purifoy.

(Pic #17) Yes, these are what you think they are. Sculpture by Noah Purifoy.

(Pics 18 + 19) Installations by Noah Purifoy.

(Pic #20) “Quonset Gallery, 1990s” installation by Noah Purifoy.

(Pic #21) Classic Joshua Tree, and a hut to die for.

(Pic #22) Whatever is left of a fabric-wrapped totem.

Filed Under: Artist Spotlight, Found Art Tagged With: art, desert art, desert junk, Eco-Art, environmental art, environmental sculpture, Joshua Tree outdoor museum, Noah Purifoy, sculpture, Watts Towers Art Center

Real-life ECO-ART From Nature’s Tiniest Builder

August 31, 2016 by Lonnie Lardner

H bird rear vu cropd2 copy JPG

(Pic #1) Mother hummer steals my discards for her own functional art installation. Photo by Josh Kaplan, 2016.

A 2-ounce feathered thief recycles my work for her own.

Like many artists, I hate most of what I do. I will start out with great enthusiasm, craft a piece for hours or days, worry over each brush stroke, each last detail and then, realize I hate every single drop of paint. My rational mind knows that there is no such thing as a wasted artistic experience. My logical mind tells me that even if I didn’t come up with something I liked, the process is important. I acknowledge I always learn something, either technical or emotional, from each time I try to create something. But those considerations always seemed to take a back seat to the reality that I HATE what I made, and it was a colossal waste of time. At least that was true until yesterday.

Sometime last month I had been working on a piece, sitting outside enjoying the sunshine and the birds chirping. I had taken one of Josh’s photos, and was coloring over the top of it.  And as so often happens, I tore it up at the end, lamenting the hours of my life I will never get back.

Apparently though, not all the pieces of torn up art made it to the trash can — some cialis floated away in the breeze — and turned up somewhere amazing.

drawing scraps w: pointers copy j

(Pic #2) Closeup of hummingbird nest, with sewn-in scraps of torn matte card stock.

This is our most recent hummingbird mother, (Pic #1) sitting stoically atop the nest she painstakingly built to shelter her eggs.  It is made of leaves, and twigs, using spider webs for glue. But look closely and you can see that there is something else. (Pic #2) Mama bird somehow found the scraps of my discarded art, and used them to help build her nest.

I know it’s silly, but when I saw this it finally made sense to me. No artistic endeavor is ever wasted. Ever. The end result may not be what we had in mind, but as artists, we don’t always get to choose how something we create is interpreted, judged, or used.

Maybe this little story won’t help you next time you spend hours on something that winds up committed to the trash heap. But I think from here on, I will consider the long game when approaching my art, my life — when a tiny scrap of paper can become the foundation for a much bigger project, in a way smaller world.

Hacienda bougain : LL sketching copy JPG

(Pic #3) Sketching by the scene of the crime. / Mama bird lives (and makes art) in our overgrown bougainvillea.

Filed Under: Found Art Tagged With: art and nature, bird artist, Eco-Art, environmental art, hummingbird nests, nature, recycled art

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