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Moving To Bokeh

May 31, 2015 by Lonnie Lardner

(Pic #1) Ventura County Cali House Finch showcases "creamy bokeh" effect. Photo by Josh Kaplan

(Pic #1) Ventura County House Finch showcases “creamy bokeh” effect. Photo by Josh Kaplan

Even before photography was invented, the great masters of fine art knew the value of “forcing our focus.”

Sometimes, negative space can be just as important as the positive. Maybe even more.  A subtle, but nuanced background can highlight exactly what the artist wants to feature – instantly. By watching my husband produce some stunning shots of nature (Pics #1 and #2) I’ve come to learn about “BOKEH.” In Japanese, the word literally means “blur.” The tech can be better explained by the experts here.

(Pic #2) "Mukluk" and her soft, embracing  negative space. Photo by Josh Kaplan.

(Pic #2) “Mukluk” and her soft, enrobing negative space. Photo by Josh Kaplan.

To me, it’s a sensual photographic effect (rendered by the lens) that illustrates a basic principle of art: It is just as crucial to consider the quality of the background as the subject out front. Check out the paintings valium below by Rembrandt, Sargent, Klimt, and Magritte. Each oil showcases its subject (human form, nature or fantasy) by soft-focused support, created by blending, texture, and manipulation of paint.

Today’s “painters” (digital photographers) can set up their background-foreground relationship with a solid understanding of “depth of field.” And mastering “bokeh”becomes a sort of 21st century advanced painting technique that enriches that all-important interplay.

(Pic #2) The Storm on the Sea of Galilee" by Rembrandt, 1633

(Pic #3) “The Storm on the Sea of Galilee” by Rembrandt, 1633

(Pic #2) "The Kiss" by Gustave Klimt, 1907

(Pic #4) “The Kiss” by Gustave Klimt, 1907

(Pic #4) "Son of Man" by Rene Magritte, 1964

(Pic #5) “Son of Man” by Rene Magritte, 1964

Madame X copy

(Pic #6) “Portrait of Madame X” by John Singer Sargent, 1884

Filed Under: Creative Zone Tagged With: background blur, Bokeh, negative space, painters and photographers, photography, photography tips, soft focus

Losing Focus: It’s A Good Thing

November 27, 2012 by Lonnie Lardner

(Pic #1) Sharp focus – dull image.

“Focus!”  We hear it from teachers, coaches, bosses even spouses.

“Focus!” Put all extraneous thoughts out of your head and concentrate on the task at hand.  Focus is that single-mindedness that allows us to achieve. Without it, the greatest of intentions often disappear into the mist of fanciful daydreams. Focus can be your best friend when you are vigorously attacking your to-do list. But it can be your worst enemy when it comes to creating art.

Don’t get me wrong, attention to detail is important in art, and I suppose that requires some focus, but the engine that drives the artist is creativity, and that often requires the exact opposite of focus. It requires letting your mind run free, tuning into the seemingly random, unconnected sights and sounds that inspire great art.

Often the focused, crystal clear view of the world can mask an incredible universe of beauty that emerges when we blur our vision a bit.

(Pic #2) Sparing the details: the beauty of losing focus

In Kindergarten, I remember asking my best friend Tana Klugherz if she could “look blurry-eyed” at something – and do it on command, as I could. It was such a thrill to shift the world totally out of focus – into a palette of soft colors.  It turned everything into a lovely abstraction. Now I get to explore and change my view with technology and a good camera. Maybe not as fun – but still pretty magical.

On top of the page (Pic #1):  a shot of a bougainvillea branch in our backyard.  Nice photograph, well composed, perfectly in focus. No interpretation necessary, no imagination needed. Picture #2 (above) is almost exactly the same shot, but purposely out of focus.  Suddenly the colors and shapes become ethereal, suddenly they invite — in fact demand  — the viewer’s imagination.

Lose your focus — find your inner artist.

 

Filed Under: Creative Zone Tagged With: art making, attention to detail, creativity, happy accidents, losing focus, photography, sharp focus, soft focus

Today’s Pic: Stunning But Deadly

January 31, 2012 by Lonnie Lardner

Up close: Gorgeous hues and geometric lines of the Cold Spring Canyon “Suicide” Bridge – linking Santa Barbara with Santa Ynez.

Spectacular engineering feat still haunts locals.

“Jump up — not down!” screamed a dude in a pickup truck as we began to shoot a few photos of this magnificent scene. I should have known something was up. It only took a couple of casual chats with people along Stagecoach Road to figure out what it was.

Built in 1963, the Cold Spring Canyon Bridge embodies the perfect blend of strength and beauty. The 1200-foot crossing is by far the longest steel arch bridge in the state of California — a brightly colored architectural symbol of the Santa Ynez Valley.

But its history paints a darker picture — as 55 people have plunged to their deaths from the deck of its imposing span over a 420-foot canyon below. Eight lives lost in 2009, making it the most lethal year in the bridge’s history.

For years, residents have been calling it a “suicide hotspot” — many have been fighting for the installation of safety nets — though it has become a contentious legal battle in and out of court. But last week Caltrans announced it would begin installing grid mesh barriers on both sides of the historic structure; the project is expected to be completed this spring.

Bridge in the abstract: handsome contrast in color

Highway 154 (also known as The San Marcos Pass) is a sweet 33-mile ride through a portion of the Los Padres National Forest.

Arch bridges work by transferring the weight of the bridge and its load partially into a horizontal thrust restrained by the abutments at either side.

Photos  by Josh Kaplan.

 

Filed Under: Found Art Tagged With: arch bridge, Cold Spring Canyon bridge, photography, Santa Barbara, Santa Ynez, suicide bridge, what's this?

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