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Salvaging Beauty from Destruction

June 30, 2011 by Lonnie Lardner

Left: Pompeo Batoni painting: “Time Orders Old Age to Destroy Beauty” (1746). Right: Wagon Wheel Motel Excavation unearths fresh art (2011). Photo by Juan Carlo Mendoza, Ventura County Star.

The demise of a local landmark reveals stunning visual treats.

In my last post, I wrote about the demolition of one of Southern California’s most recognizble roadside landmarks, the Wagon Wheel Motel on Interstate 101 in Oxnard.

Given its storied history, it hurt to watch it gradually disintegrate into a pile of splintered beams and waste. But I always try to see something anti inflammatories visually fresh in my lens. So I documented the last days of the iconic structure with the hope of creating a few canvases of abstract art.

Suddenly, the 1960 turquoise paint seemed elegant, and the property’s broken wooden fence perfectly framed the vibrating lines and textures destined for the landfill. Graffiti became a decorative touch, and cheap, crumpled window blinds gave me a new way to understand geometry.

Am I crazy?

Maybe. But delighted I got to embrace the beauty left by the storm.

Filed Under: Newsmakers Tagged With: Abstract art, americana, discovering art in destruction, Finding art everywhere, graffiti, Oxnard landmark, Pompeo Batoni painting, roadside landmark, Wagon Wheel Motel

Russia: First Impressions (Part 3)

July 24, 2010 by Lonnie Lardner

(Pic #1) "Abstract Duet" Russian street graffiti (left) paired with recent small pastel painting (right)

“Something old and something new”

Visual jolts. That’s what I keep experiencing here in the “Venice of the North”—St. Petersburg. The textures and colors send my right brain into overdrive, and I have been inspired somehow to pair up what I’m now calling “abstract duets.”

Sometimes they’re marriages of images created in the early 1700s with images created as recently as last week. The pairing above (Pic #1) began with my fascination with common “tagging” on government signs, construction sites, and public buildings. I took this spray-painted, eye level electrical box (left) and digitally jammed it right into the side of a recent painting I’d done with Caran D’Ache Neocolor crayons and kids’ stickers.

(Pic #2) "Abstract Duet" Russian Museum painted ceiling border, 1895 (top) paired with contemporary outdoor graffiti (2010)

I grabbed these shots on the streets of St. Pete’s, its storied riverbanks, and inside the many of the opulent palace halls, state rooms, museums, and cathedrals.

They are juxtaposed with recent 10-minute alprazolam paintings I completed as an experiment in committing to daily art-making (see: “The 10-minute task,” and “50 paintings in 50 days”) or, with other photos from the same trip—which included stops in New York and the Tate Modern in London.

(Pic #3) "Abstract Duet" St. Petersburg rooftops (top) paired with moorings in Neva River (bottom)

I felt so inspired by these diverse images—anxious to see if they’d really work together—even in a very raw way.

(Pic #4) "Abstract Duet" Reflection, Church of the Resurrection (left) paired with recent collage/pastel (right) Photo on left by Anita Bartlett

(Pic #5) "Abstract Duet" 18th century St. Petersburg architecture (top) paired with recent 10-minute painting (bottom)

(Pic #6) "Abstract Duet" London construction site (bottom) paired with recent collage (top)

It’s just a matter of being aware…taking a moment to really see what’s around you… then, as the images pass though your personal creative filter—you get to see the birth of a fresh idea—that is uniquely yours.

Links:

Church of the resurrection.

Neva River.

Russian Museum.

Anita Bartlett.

Filed Under: Travel Tagged With: abstract duets, assemblage, finding inspiration, graffiti, painting and photography, Russian architecture, stimulating creativity, stimulating ideas, street art

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