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Desert Junk: The Art of Change

December 31, 2018 by Lonnie Lardner

(Pic #1) A whimsical meshing of sheet metal and coil by Noah Purifoy. Joshua Tree Outdoor Museum, Mojave Desert, California. (Photos by Josh Kaplan)

How one radical sculptor changed the Southern California landscape.

At first glance, you can’t help but say, “Wait, what?” Then you begin to explore the work — and its poignant themes — and you realize you’re in the midst of something big. The artist’s name is Noah Purifoy — an African-American born in 1917 in the segregated south — with an extraordinary gift for creative expression and sobering commentary.

I could have wandered to 10-acre installation for days. Each turn I felt a sense of glee, as if I were the first visitor to this extraordinary gallery under the sun. The sculptures appear to be just as dramatic as I imagine they were when they were installed. Maybe even more so, as they become weathered and decayed — showing new layers of color and texture — over the last 30 years.

(Pic #2) Artist Noah Purifoy in his Los Angeles studio in 1970.

”From the Point of View of the Little People” (1994) is probably Purifoy’s most famous construction (Pic #7 below): a row of weathered jeans, boy-sized, “standing” over sneakers and placed in a row on an elevated ramp. Experts say this might be another visual reference to the practice of lynching, as in a larger piece titled, “Gallows.” (Pic #8).

Most of the time Purifoy started with found objects collected from the streets of Los Angeles. Later, when he moved to the desert, people started offering him things, knowing he was “looking for junk.” The artist once said, “The object turned into an idea.”

From 1987 until his death in 2004, Purifoy built over 100 environmental sculptures in Joshua Tree. The fierce desert winds and unforgiving heat have taken their toll on his work, but he always acknowledged that they would experience change. He seemed to have no issue with that — as he was quoted as saying, “I do artwork, I don’t do maintenance.”

Honestly, based on that statement alone, Noah Purifoy just might be the coolest artist I’ve never met.

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Did you know? Noah Purifoy also co-founded the Watts Towers Arts Center in 1964.   Please scroll down for the complete photo collection.

(Pic #3) TV Land installation by Noah Purifoy.

(Pic #4) Sculptures by Noah Purifoy. Right: “Old Volks at Home.” (1994)

(Pic #5) Installation by Noah Purifoy. (Right)

(Pic #6) “Aurora Borealis” Installation (1999-2000) by Noah Purifoy

(Pic #7) “From the Point of View of the Little People” by Noah Purifoy. (1994)

(Pic #8) “Gallows” by Noah Purifoy. (2003) The last piece constructed before he died. Photo courtesy The Noah Purifoy Foundation / Joshua Tree Outdoor Museum.

(Pic #9) Metal sculpture by Noah Purifoy.

(Pic #10) “Gas Station” (1992) Photo courtesy The Noah Purifoy Foundation / Joshua Tree Outdoor Museum.

(Pic #11) Sculpture and totem by Noah Purifoy.

(Pic #12) Sculpture by Noah Purifoy.

(Pic #13) “No Contest” (1991)

(Pic #14) Sculpture by Noah Purifoy.

(Pic #15) Installation by Noah Purifoy.

(Pic #16) Archway by Noah Purifoy.

(Pic #17) Yes, these are what you think they are. Sculpture by Noah Purifoy.

(Pics 18 + 19) Installations by Noah Purifoy.

(Pic #20) “Quonset Gallery, 1990s” installation by Noah Purifoy.

(Pic #21) Classic Joshua Tree, and a hut to die for.

(Pic #22) Whatever is left of a fabric-wrapped totem.

Filed Under: Artist Spotlight, Found Art Tagged With: art, desert art, desert junk, Eco-Art, environmental art, environmental sculpture, Joshua Tree outdoor museum, Noah Purifoy, sculpture, Watts Towers Art Center

Real-life ECO-ART From Nature’s Tiniest Builder

August 31, 2016 by Lonnie Lardner

H bird rear vu cropd2 copy JPG

(Pic #1) Mother hummer steals my discards for her own functional art installation. Photo by Josh Kaplan, 2016.

A 2-ounce feathered thief recycles my work for her own.

Like many artists, I hate most of what I do. I will start out with great enthusiasm, craft a piece for hours or days, worry over each brush stroke, each last detail and then, realize I hate every single drop of paint. My rational mind knows that there is no such thing as a wasted artistic experience. My logical mind tells me that even if I didn’t come up with something I liked, the process is important. I acknowledge I always learn something, either technical or emotional, from each time I try to create something. But those considerations always seemed to take a back seat to the reality that I HATE what I made, and it was a colossal waste of time. At least that was true until yesterday.

Sometime last month I had been working on a piece, sitting outside enjoying the sunshine and the birds chirping. I had taken one of Josh’s photos, and was coloring over the top of it.  And as so often happens, I tore it up at the end, lamenting the hours of my life I will never get back.

Apparently though, not all the pieces of torn up art made it to the trash can — some cialis floated away in the breeze — and turned up somewhere amazing.

drawing scraps w: pointers copy j

(Pic #2) Closeup of hummingbird nest, with sewn-in scraps of torn matte card stock.

This is our most recent hummingbird mother, (Pic #1) sitting stoically atop the nest she painstakingly built to shelter her eggs.  It is made of leaves, and twigs, using spider webs for glue. But look closely and you can see that there is something else. (Pic #2) Mama bird somehow found the scraps of my discarded art, and used them to help build her nest.

I know it’s silly, but when I saw this it finally made sense to me. No artistic endeavor is ever wasted. Ever. The end result may not be what we had in mind, but as artists, we don’t always get to choose how something we create is interpreted, judged, or used.

Maybe this little story won’t help you next time you spend hours on something that winds up committed to the trash heap. But I think from here on, I will consider the long game when approaching my art, my life — when a tiny scrap of paper can become the foundation for a much bigger project, in a way smaller world.

Hacienda bougain : LL sketching copy JPG

(Pic #3) Sketching by the scene of the crime. / Mama bird lives (and makes art) in our overgrown bougainvillea.

Filed Under: Found Art Tagged With: art and nature, bird artist, Eco-Art, environmental art, hummingbird nests, nature, recycled art

Environmental Art “Hits The Wall” In West Hollywood

April 13, 2011 by Lonnie Lardner

Eco-artist Tom Deininger transforms trash into artistic treasure in West Hollywood. Check out the “reflection” in the pupil–a junked white coffeemaker.

Local pre-school saves toys — makes art

Close up: new life for trashed toys

Hot pink action figure provides a pop of color

Yes, we’re talking trash. The kind you can reclaim, recycle, or reuse.  It’s what stirs the imagination of environmental artist Tom Deininger – and what inspired him to bring his unique brand of artmaking to “The Creative City” – West Hollywood, California. With Tom’s expertise in “all things tossed” we asked dozens of children at the prestigious Fountain Day School to save their broken toys for a few weeks, and allow us to “re-purpose” them into a wall sculpture titled, “Through the Eyes of a Child” on the outside of their school. We asked their parents to do the same with milk jugs, detergent containers, broken crates, and generally unrecyclable plastic. It didn’t take long for the collection bins to fill up.

Fresh eyes on the Fountain Day School, as seen from Santa Monica Blvd.

The relief is comprised of 100 % recycled materials, some salvaged from local landfills.

For a salvage artist like Deininger, access to a city dump — or any kind of waste management facility — means hitting the mother lode. Tom and I have worked on a number of “eco-projects” for companies like Fortune Magazine, and NBC Universal, but I had never accompanied him in his search for the perfect pile.We had an opportunity to “raid the refuse” at the Athens Services MRF (Material Recovery Facility) in the City of Industry, and you’d have thought the artist had won the California Fantasy 5. Tom found wonder—and possibility — in each passing container of junk. He extracted exactly what he needed, and began to plot: garden hose here, doll heads there — the perfect caldron of solid waste stew for a sculpture still in his head.

Through the artist’s eye

By pairing up oddball mixtures of color and shape, somehow, Deininger and his art assistants managed to smash, saw, and screw nearly a thousand minute plastic parts into a cohesive work of art. There is not a speck of paint on these two sculptures, though it may appear that way because of their clever use of color.

From a distance, the piece propecia shows the eyes of a toddler gazing upward, as if to a parent, or the future. A closer look reveals an intricate web of tossed toys and familiar objects that make up the image as a whole: action figures, baby strollers, pool toys, plastic trucks, and detritus from everyday life. A sobering visual message — underscored by the following facts from the eco-file:

  • Americans generate 10.5 million tons of plastic waste a year but recycle only 1 or 2 %
  • An estimated 14 billion pounds of trash – much of it plastic – is dumped in the world’s oceans every year.
  • Nearly every piece of plastic ever made still exists today.

For texture and depth, the artists incorporated tiny doll heads and plastic fencing into the larger structure.

Tom began with the simple shape of his own child’s eye, and added hundreds of layers of shattered plastic to create dimension.

Deininger redefines the meaning of “color theory”as he has discovered a way to “paint with plastic.”

Late night installation via scissor lift.

Dump-recovered plastics: Deininger’s preferred palette.

Recovered insulated copper wiring served as bendable lashes.

When Tom saw these massive fabric blocks at the dump, he said he wished he “could take them home.”

 

The artists chose a pink baby stroller (left) to serve as the base color for the left eyelid.

WEHO Council member Abbe Land surveys new work atop scissor-lift with artist Tom Deininger

More about Tom…

Deininger is a dedicated environmentalist who educates others about consumer wastefulness and resource overuse through his art. His award-winning installations incorporate trashed plastics, reclaimed wood, broken toys, furniture, and factory overruns – generally unrecyclable waste otherwise destined for city dumps. His work was recently commissioned by the Smithsonian Institution.

“Through the Eyes of a Child” is an environmental art project sponsored by Art on the Outside – a program developed by the City of West Hollywood’s Arts and Cultural Affairs Commission.  For more information, visit the WEHO Arts and Culture page.

A special thanks to: Mrs. Firestone’s Language Arts classes at Lindero Canyon Middle School in Agoura Hills, California, for enthusiastically collecting and contributing hundreds of discarded plastic caps for this project.

Photo Credit: Josh Kaplan, Executive Producer, Good Day L.A. on Fox 11.

 

 

 

 

 

 

 

 

Filed Under: Eco-Art Tagged With: art from trash, environmental art, from trash to treasure, Los Angeles Eco-Art, mural art, Tom Deininger, wall sculpture, WEHO art, West Hollywood public art

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