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Ai Weiwei Breaks Into Alcatraz

February 28, 2015 by Lonnie Lardner

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(Pic #1) Flying hand-painted silk sculpture by Ai Weiwei, installed where prisoners on “good behavior” found opportunity to work on Alcatraz.

The world famous Chinese artist-activist never set foot on the island, but his work now fills its storied halls.

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(Pic #2) Jail cell, bottom row.

Conceptual artist Ai Weiwei knows a little something about incarceration. In 2011, he was secretly detained “like a kidnapping” he said, when government agents intercepted him at the airport on his way to Hong Kong from Beijing. He recalls their pulling a black sheath over his head and shoving him into a car. He was ultimately released a few months later, but minus his passport.

Well, geography has not silenced Ai’s voice from being heard 6000 miles away. In fact, it could be argued that his message (exploring freedom of expression, confinement, and what it means to be a modern day political prisoner who fears his cause may have been forgotten) appears to be reaching record numbers of people. The exhibit, “@Large: Ai Weiwei on Alcatraz” has seen more than half a million visitors to date. Fans and tourists alike are making the trek hourly to “The Rock” on SRO shuttle boats.

According to Smithsonian magazine, When Ai was released from prison, Cheryl Haines, executive director of the For-Site Foundation (a San Francisco-based arts group specializing in large-scale works showcasing specific places) visited Ai in Beijing. Ai said he wanted “to address what happens when people lose the ability to communicate freely.” What if I brought you a prison?” she asked Ai. He nodded.

Ai Weiwei has covered a massive factory-like work room floor with portraits of famous and not-so-famous dissidents from dozens of countries. (Pics #8 , #9, #10, #11). All made from Lego blocks (sent over from China) assembled by hundreds of volunteers. Those portraits, and Ai’s mixed-media works are installed in the New Industries Building (where “privileged” inmates washed Army linens and fashioned rubber mats), the psychiatric ward of the prison hospital, (where Al Capone was treated for syphilis and dementia – Pic #2A), the 3-tiered A and B Block cells (known for their tool-proof steel bars – Pic #14), and the dining hall. Most of these locations are generally off-limits to the touring public.

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(Pic #2A) Artist installation in Alcatraz hospital ward – where Ai filled baths and sinks with white porcelain flowers.

In the largest structure, Ai’s hand-painted rice paper, silk and bamboo “kites” fly overhead. (Pics #1,#3,#4, #5,#6,#7) They showcase designs based on the national birds or flowers of the prisoners’ respective countries —“fluttering likes scraps of hope.”

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(Pic #2B)  Alcatraz Infirmary / psych ward

Ai spent three years constructing the infamous island prison in his mind at his studio in northern topamax Beijing. He pored over books and photographs of what used to be America’s foremost maximum-security penitentiary. Smithsonian says Ai “formed his own mental map” of the 5-foot by 9-foot cells, the austere prison hospital, primitive psych ward, as well as the inmates’ dreams of escape.

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(Pic # ) Detail, Painted Silk kite

The artist’s main ambition: to ensure that today’s prisoners of conscience around the world are remembered. Ai compiled a list of more than 175 of them and where they are being held in 30 different countries. “We looked at who is still in jail,” says Ai, “but may be already forgotten.” (Pics #8, #9)

Among the names are Sergei Udaltsov, a 37-year-old Russian critic of President Vladimir Putin, now under house arrest in Moscow; Ahmed Maher, a 34-year-old Egyptian activist sentenced to three years in prison in 2013 for protesting against the “limited” public demonstrations; Nguyen Van Hai, a 60-year-old Vietnamese blogger imprisoned for “disseminating anti-state information.”

You’ll need a full day to cover the entire show – allowing time to sit in a jail cell where chilling classical music is piped in, courtesy the artist.  (Pic #14). One such composition was written by Czech composer Pavel Haas, who was sent to a concentration camp in 1941; in 1944 he was transported to Auschwitz and killed. While he was imprisoned he wrote at least eight compositions, including the piece for string orchestra (now playing in Cell Block B.)  First performed by prisoners in Terezín, it is probably Haas’s best-known work today. Link to Audio here.

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(Pic#10A) Pre-designed post cards addressed to dissidents; exhibit guests may write personal messages to them

The way cool interactive element to this tribute, is that visitors get to write personal messages on postcards to any of the 175 dissidents Ai references. He created art cards already addressed and stamped. 50,000 cards have been sent so far. (Pic #10A )

For a comprehensive look into the work and life of Ai Weiwei, click this link to Artsy.net.

Exhibit on view through 4.26.15.

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(Pic #3)

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(Pic #5)

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(Pic #6)

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(Pic #7)

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(Pic #8)

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(Pic #9)

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(Pic #10)

 

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(Pic #11)

 

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(Pic #12) Alcatraz hospital room where artist Ai Weiwei has filled sinks and commodes with miniature white porcelain flowers.

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(Pic #13) Alcatraz infirmary

 

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(Pic #14) A moment to listen and reflect, as Ai Weiwei creates cell block listening rooms.

 

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(Pic #15) Massive winged metal sculpture by Ai Weiwei in Alcatraz basement.

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(Pic #16) Alcatraz building facade at port.

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(Pic #17) Iconic prison staircase at port.

 

 

 

Filed Under: Newsmakers Tagged With: Ai Weiwei, Alcatraz art installation, Chinese activist, conceptual art, National Park Service, penitentiary art, political dissidents

Brace Yourself: The Love Affair Between Art and Tech

January 31, 2015 by Lonnie Lardner

It’s an advertisement hawking Adobe software products. It’s exciting and scary at the same time: I know that it’s a futuristic vision of graphic applications, but I also know in about 18 months just might be considered “old school.”

Still, there is a surprising intuitiveness in these design elements: basically no lag time between the artist’s thought and the action on screen. It’s almost like finger-painting in kindergarten. What we slop is what we get.

The exciting alcoholism truth to emerge out of this partnership is: Artists – known for thinking in radically different ways – are now helping shape advances in technology, and it appears Adobe is responding to their needs. Because of this symbiotic collaboration, head-exploding innovation is practically guaranteed. And perhaps most important: better tech serves our creative spirit.

Related link: Creative pros like Macs, but Adobe cozies up with Microsoft 

Filed Under: Creative Zone Tagged With: Adobe products, art and tech, digital future, new art forms, shortcuts in digtal art, touch enable

New Year’s Revelation: Artists Make The Rules

December 31, 2014 by Lonnie Lardner

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(Pic #1) My new 4-year-old muse for 2015. Painting at our Hope’s Nest Christmas Art Workshop at Algin Sutton Recreation Center, South Central Los Angeles.

“Yes, Reindeer Can Be Red.”

This coming year, I am resolving to find fearlessness. The kind of fearlessness that showed up last week in the most unexpected place: at our annual Christmas Art Workshop in the heart of L.A.’s inner-city. 200 young artists with about 199 wildly different approaches to the art projects presented to them. (Pic #2).

The highlight for me came in the form of a question. A young man I had never met before began to tug on my shirt asking, “Miss, can you please tell me what color the antlers are on Santa’s reindeer?” I gulped. The former news reporter in me wanted to answer with scientific research (or course they are light brown, or beige, much like their coats of fur) — while the artist in me wanted to say, “You are the artist. You get to paint them any color you want.” Thank God I was able to let the artist out.

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(Pic #2) Young artist models her “all buttoned up” Christmas stocking.

I began to see that erectile dysfunction almost every child had “invented” his or her own color scheme, and that I might have been the only one tempted to search a National Geographic documentary for the “right” answer. The boy who asked me began to paint his antlers bright orange, and I nearly cried.

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(Pic #3) Pollock “splatter” painting technique

The girl next to him chose baby blue, and her sister went with black. I couldn’t have been happier. One girl actually covered over all of her back-and-white lines to create an abstract cloud of sparkly bliss. (Pic #4) Another painted a free-form, textured Jackson Pollock. (Pic #3) Color me ecstatic.

I need to remember there are no rules in art — and if only for a second we think there are — we have lost touch with those critical creative qualities we are born with: an innate sense of exploration, experimentation, freshness, and whimsy. These are the touchstones of great art – and I thank God I get to witness them in their full glory every year. Whenever I am short on inspiration, I will remember the reindeer.

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(Pic #4) Left: Two artists collaborate.  Right: Close-up: Sparkly abstraction

 

 

Filed Under: Creative Zone Tagged With: artists, breaking the rules, finding fearlessness, inspiration, new year's resolutions

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