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The Holy Truth About Halloween: It Never Was About The Candy

October 31, 2018 by Lonnie Lardner

(Pic #1) Young artist contemplates the next level of color. Laser focus. The Next Gen Helen Frankenthaler?

For the last 30 years, we’ve sponsored art workshops for children in the often forgotten heart of the inner-city, South Central Los Angeles. Since 1988, we’ve offered holiday painting sessions with no rules. The community turns out very time, and an unbridled sense of self-expression — though paint, glitter, beads and pipe cleaners — takes over the neighborhood park. Toddlers, teens, grandmas and Moms sit with one another for hours — making art.  I’ve written about this experience many times. And each year I think — have I hit the wall? Will these workshops become more of a hassle than a beacon of light?

NEVER.

(Pic #2) World famous abstract painter Helen Frankenthaler in her New York studio, 1969. Photograph by Ernst Haas / Getty Images

Every year, we witness fearlessness, freedom of artistic expression, and for a few hours, the absence of anyone telling the kids they have to “do it this way.” They splatter paint; they collage. They toss glitter all over the room, and in the end, they’ve spent the day like an artist: exploring, pushing the envelope, and having a blast. There’s no angst, no second thoughts, no insecurity. I guess you could call it a brand of reckless abandon that starts with no real plans to speak of, a table full of colorful clutter, and ends with remarkable original work. And they don’t even know it. Nor do they care.

More often than not, I see kids using materials in ways I had never thought of — and I’ve been making art since I was four. My artist friend, Julia Strickler volunteers every year. Today she told me she’s “in constant awe” observing how open the children are — that even when they’re shy, “art creates a connection.” And you can’t help but notice they just ooze pure joy. Julia says when they make something that is uniquely theirs — “every detail is beautiful — the colors, the sparkles, and even the drips.”

Picasso once said, “Every child is an artist. The problem is how to remain an artist once we grow up.” I’m hopeful these extraordinary talents figure that out.

BTW, I didn’t see one child playing games on his Mom’s iPhone, nor did we hear any whining. Check out our photos and maybe you’ll see why.

 

 

 

Thank you, Benita Dixon and staff at the Van Ness Recreation Center for welcoming our Hope’s Nest volunteers into your most spirited, creative commmunity.

 

Filed Under: Creative Zone Tagged With: art in the parks, Halloween, Halloween art, Hope's Nest, inner-city arts, inner-city kids, kids' art, Kids' painting

I Hated Gardening! Then I Discovered It Was Abstract Art

June 30, 2018 by Lonnie Lardner

(Pic #1) Settling in to the role of nature’s mother.

I went kicking and screaming. Now, the yard is my canvas.

It’s been a dizzying transformation. And you can tell by our “before” picture (Pic #14a, at bottom) that I didn’t give a rats patootie for some time. Ugh. Having to design, till, plant, feed, water, wait, and maintain our front yard was such a daunting task, I just ignored it. Much like, as my husband observes, anything I find unpleasant. And by the way — I’ve been known to kill plastic plants.

Then one day, I saw a beautiful English garden in a magazine.  It looked as if it had matured over 50 years. It was stunning, rich, and lush. That was about the same time a neighbor I didn’t know knocked on our door and said, “You know, we think your property needs some attention. If you’d like us to help out, we can.  And besides, we think rats could be nesting in your yard, and we really don’t want that.”

Color me embarrassed. And suddenly motivated.

(Pic #2) From the street — sweet chaos. (All photos by Josh Kaplan.)

I decided to approach the task as I would a painting. I’m partial to abstracts, so I applied the same rules: happy accidents are a gift. Gradually I added small plants I thought were cool — with very little research on their viability under the sun, and in our rocky soil. I basically chose interesting textures, and bright, non-primary colors. Some stayed. Some left. But I let them all try to get along, and ultimately, they began to like each other.

(Pic #3) I have no idea what these little magenta velvet treats are….but they have spunk.

(Pic #4) Sometimes Josh runs out in the morning just to catch leaves collecting dew. No, he has no life.

(Pic #5) Lesson #1: Lavender vincas and Mexican feather=grass cannot be killed.

(Pic #6) Buds become little jewels.

For me, the pleasure of seeing the explosion of color every day, was more than enough. My touchy-feely husband as always, found deeper meaning. He said, “You used to say ‘I suck’ at gardening. If you had left it there, you would have missed out on this whole new world of artistic expression.  But you didn’t — for whatever reason you pushed passed the limitation you placed on yourself — and the result was magical.”  He’s right. As artists we are forever putting up roadblocks to our own creativity. Every time you overcome one, you plant a seed of expression — and just like with my garden — the rewards grow into unimaginable treasures.

(Pic #7) Lavender may be the heartiest of them all.

(Pic #8) Sometimes we have visitors.

(Pic #9) And sometimes, it’s just a drive-by.

(Pic #10) Cats are way happier with places to hide.

(Pic #11) No clue. You can make up your own caption here.

(Pic #12) These perky spikes are called Pride of Madeira. They can officially take over everything. So naturally I invited them to stay. Less work for me.

(Pic #13) This color can’t be real.

(Pic #14a and 14b) Top: BEFORE / Bottom: AFTER

 

Filed Under: Creative Zone, Eco-Art Tagged With: Abstract art, art in nature, Gardening, joys of cultivating your garden, nature, planting treasures

Stop! There’s Beauty In Unfinished Art

May 31, 2018 by Lonnie Lardner

 

(Pic #1) Sketch by iconic French painter Henri de Toulouse-Lautrec. So much more interesting this way.

The underpinnings can tell us so much more….

There’s something about seeing how an artist works, why he chooses a particular line, and when he decides that’s enough. I love watching them create, or even catching signs of their intentions by what’s left for us to see. Sometimes I try to peel back the layers, and occasionally, they do it for me.

Check out the Lautrec piece above. That mid-section never needed to be painted. Those scratchy marks — all sketchy and loose — make the painting even better. They kind of let the viewer know how the artist saw his subject, and let us in on that very personal view. I like that his art seems to sit there for a moment in time, in its raw form, letting us finish the strokes or the color that he never added.

I felt the same way at the recent Italian Chalk Festival in Santa Barbara this week, when artists from all over the globe began their works in pastel on the hot mission pavement. They were all given two days to complete their 4 x 8 squares, but I couldn’t help but hope they would never finish.

(Pic #2) Technically incomplete — this is a way cooler art experience. Il Madonnari (the annual Santa Barbara Italian Chalk Festival)

(Pic #3) Pastel illustrating the benefits of leaving parts untouched. The lack of form in the bottom half of the blacktop asks the viewer to literally “fill in the blank.”

(Pic #4) LOVE the unfinished foot on this yoga gnome.

(Pic #5) Check out the sketchy, unfinished mountainous background in black and white. Loose, unexpected and interesting.

Filed Under: Creative Zone Tagged With: Chalk festival, il madonnari, Lautrec, painting, Santa Barbara, sketching, underpainting, unfinished art

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