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Farm Fresh Art

November 11, 2011 by Lonnie Lardner

(Pic #1) Metal frames for Oxnard "hoop houses" create sweet piles of voluptuous curves.

Discovering the fine lines and sensual shapes of agriculture

In my corporate workshops, I always encourage executives to take an alternate route to work — literally and metaphorically. The benefits from veering “off course” are staggering —  and they are anything but “off.”

It’s quite an imposing task to fight our nature — always seeking out the familiar — but once you break the habit, you’ll find you can’t stop exploring.  Taking that fresh path can fill your head with inspiring thoughts and images — which can later lead to quite a stream of useful ideas.

One of my favorite Southern California jaunts supplies me with an abundance of these little visual treats. On the way from Los Angeles to Santa Barbara, there’s a sweet series of agriculturally rich, freeway adjacent farmland, from Camarillo to Oxnard. Decades of tilling, harvesting, fertilizing and irrigating have left what I suspect are storied remnants of a struggling farming industry. I wallow in the bold, weathered, rust-covered shapes and structures that line these back roads.

Strawberries, raspberries, and  celery grow here. Locals take pride in their produce. But I just stop and stare at what the growing and picking seasons leave behind. Harvesters, tillers, dilapidated sheds… and in-your-face graffiti art that mocks or mirrors the landscape it treads. Next time you take the alternate route — don’t overlook the possibility that a roadside farm can be fertile ground for more than your recommended daily allowance of fresh fruit.

Photos by Josh Kaplan

Filed Under: Found Art Tagged With: art from agriculture, farm fresh art, finding beauty on the backroads, industrial art, Oxnard agriculture, roadside farms, rust, urban decay

Wagon Wheel Motel: A Slice of Americana Slowly Decays — Then Disappears For Good

June 29, 2011 by Lonnie Lardner

 

(Pic #1) Wagon Wheel Motel - A Day of Demolition

Oxnard, California:

Back in the 1960s, my husband’s Russian grandmother Rose used to call it “The Vagon Wheel” or alternatively, “The Wagon Veal.”  Her “Ws” never matched, but hearing her say either one of those phrases always gave his family a chuckle. So when I first passed by this iconic, uber-quirky structure in the 90s, I’d have to say it that way too. I still do. Even though now — it’s a heap of broken beams and splintered glass. (Pic #2)

(Pic #2) Wagon Wheel demo site: March 27th, 2011

A structure with history — but not “historical”

The somewhat awkward looking freeway-flanked motel was built on the site of an old hog farm by Martin V. Smith in 1947. It became a Southern California landmark, a popular stop for cross-country vacationers, or Angelenos passing through to Santa Barbara. According to Steve Chawkins of the L.A. Times, the kitchy roadside stop…

“…was decorated by a Hollywood set designer when westerns ruled the screen, it was a spot where residents would take out-of-towners for a thick steak, where visitors would enjoy cocktails on the barroom’s cowhide seats and gaze at the brands of local ranchers burned into the beams above.”

(Pic #3) At least they're saving the sign

(Pic #4) Last days: March 6th, 2011

The Wagon Wheel was considered  an authentic example of American roadside architecture from the mid-century (Pic #4).  But it didn’t make the city’s cut as a designated “historical landmark.” And local preservationsists from the San Buenaventura Conservancy lost the lawsuit to keep the main motel building in tact, before the 64-acre commercial swath makes way for 1,500 new homes — including two 25-story apartment towers.

 

(Pic #5) A classical take on urban decay

“Time orders Old Age to Destroy Beauty” 1746, by Pompeo antibiotics Girolamo Batoni

This has always been one of my favorite classical paintings – which I stumbled upon during a visit to the National Museum in London when I was 18. To me, the title is as daunting as the work: “Time Orders Old Age to Destroy Beauty” – by Pompeo Girolamo Batoni, commissioned in 1746. The winged figure of Time (foreground), who holds an hourglass, commands Old Age to obliterate the stunning woman’s elegant visage. (Pic #5)

In his recent article – referring to the ultimate destruction of  (what I might call ) this “funked-out” piece of property — Chawkins uses the phrase “wounded by time.” He nailed it.

(Pic #6) Nature always finds its way

In the last few years, it became abundantly clear that time had ravaged this admitedly unconventional example of modern day architecture.  As tourists sped by on the 101 Freeway, they could see the abandoned property had turned into temporary digs for transients and a playground for skateboarders.  The structures’ shingles buckled, their paint peeled, wiring was stripped by scavengers, and weeds and brush tried to push up and reclaim what was once theirs – as nature always does. (Pic #6)

(Pic #7) "The last room available" March 27th, 2011

While the Wagon Wheel façade may not be considered “classic looks” by any stretch, its originality – its authenticity – cannot be denied. But it had sadly become what conservationist Stephan Schafer calls “the victim of calculated neglect.” (Pic #8)

(Pic #8) Victim of "calculated neglect?"

Still, photographing the gradual demise of the Wagon Wheel, I found what I consider to be a series of lovely abstract images – documenting her decomposition. A sort of visual record of “Time ordering Old Age to destroy  Beauty.”

(See next post for additional images.)

Photo Credits: (Pics #1–7): Josh Kaplan, (Pic #8): Juan Carlo Mendoza, Ventura County Star.

 

 

 

 

 

 

Filed Under: Newsmakers Tagged With: American history, americana, Batoni painting, disappearing roadside icons, National Museum, new development, oxnard, roadside architecture, urban decay, Wagon Wheel Motel

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