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Today’s Pic: Nature Explores Art

May 31, 2012 by Lonnie Lardner

(Pic #1) Live sparrow visits Nancy Rubins' Airplane Parts sculpture, MOCA exterior

I’ve always been intrigued by Nancy Rubins’ cleverly constructed aircraft parts installation outside LA’s Museum of Contemporary Art on Grand Avenue, but last week I felt really lucky. In flew a family of sparrows who had apparently weight loss staked out the empty turbine amidst 1,000 pounds of stainless steel to claim a new home. A perfect playground for art-loving wildlife – and a super-sweet photo opp for me.

(Pic #2) Left: Art-loving bird explores sculpture, right.

 

Filed Under: Found Art Tagged With: bird nest, MOCA, Nancy Rubin, outdoor art installation, sculpture, sparrows

The Art of the Haul

November 21, 2011 by Lonnie Lardner


(Pic #1) Trucker hauling tires on the 405 in L.A. inspired this old-school sepia tone print.

Truckers in traffic: The art of abstraction is freeway close.

I guess you could call me obsessed. The Oxford dictionary says I would be labeled as such if I became “preoccupied with something… continually, intrusively, and to a troubling extent.” Guilty.

(Pic #2) Side of construction truck near Albany, NY

I can’t help it. I see 18-wheelers or old farm trucks and I’m sucked into a visual vortex: patterns of rusty holes, peeling paint, and flatbed piles worthy of a classic episode Sanford and Son. In these fleeting images I catch glimpses of stunning abstract art — some reminiscent of work shown in the world’s most prestigious contemporary collections and auction houses.

Finding the beauty:

In my corporate workshops I always stress the importance of really looking around us.  It’s become an annoying habit for anyone driving with me, because I’ve been known to engage in some light tailgating to get the shot I need. But if you make looking a habit, you will discover art in the most curious places. I happen to find expressways and side streets a great place to start. You’ll see quirky patterns and textures — and quite often, the making for a spectacular abstract-expressionist work of art.

(Pic #3) Left: Junked boxcars, Saticoy, CA. Right: Rothko"Blue Divided by Blue" (untitled) which sold for $4.1 million U.S. Rothko 's record: over $72 million.

Two cases in point: On a recent visit to an automotive junkyard in Saticoy, accutane California, I encountered a graveyard for old trucks, trailers, and box cars. They were all piled high and strewn about. I was mesmerized by the geometry and contrast in color.  The delicate patinas of blues and browns reminded me of the work of iconic Russian-American painter Mark Rothko (Pic #3). Then — popping out from the mountains of metal — bold primary colors you might only see on race cars or lunch boxes. (Pic #4)

(Pic #4) (Detail) Side of trashed truck, Saticoy, CA

The same week I shot the back of a rusty white truck, I also encountered a chillingly similar painting in the Museum of Contemporary Art in LA that I had never noticed before (Pic # 5). The artist is a Spanish abstract painter named Antoni Tapies. The piece is called  “All White, Number 2”– painted in 1955. The truck image was captured on the 101, passing through the San Fernando Valley in 2011.

It doesn’t matter which came first– it does enrich us if we notice both.

(Pic #5) Left: White rusted moving truck, Los Angeles, 2011. Right: Mixed media on canvas painting by Antoni Tapies, 1955. Artist's work typically fetches hundreds of thousands to millions of U.S dollars.

(Pic #6) Flatbed full of metal scrap, Los Angeles, CA

(Pic #7) Trashed truck, Saticoy, CA

(Pic #8) Twig truck, Agoura Hills, CA

(Pic #9) Industrial "tagging," Los Angeles, CA

(Pic #10) Distressed beauty, Encino, CA

 

Filed Under: Found Art Tagged With: a trucker's canvas, abstract-expressionists, Antoni Tapies, art from scrap, finding art in traffic, freeway art, junkyard art, Mark Rothko, MOCA, patinas, seeing art everywhere, stimulating creativity

Red Sticker Project: Be “Critic For A Day”

May 29, 2011 by Lonnie Lardner

(Pic #1) North Hollywood Arts District landmark sculpture, “NOHO Gateway” by Peter Shire — gets “DISAPPROVED” — by anonymous

Angelenos judge art on the streets

When something gets “red-tagged” in Southern California, it usually means someone’s house  is about to fall off a cliff after a sizable earthquake. I should know, I had that happen in the 6.9 Northridge quake of 1994.  The city inspectors literally tag your door with a foreboding hanging red card, warning homeowners to enter  “at their own risk.”

Well now, the act of “red tagging” takes on new meaning. It’s an opportunity for Angelenos to give an immediate visual thumbs-up or thumbs-down on the art they see on the street – work that is planned or unplanned.  A privately-supported group of art watchers called MOCA-Latte has launched a site where you can order stickers (for free). You are asked to participate in their quest by affixing the labels onto the work you love or hate. Take a picture, then upload to their site.

How it all started…

(Pic #2) Whitewashed anti-war mural (before destruction) by street artist “Blu”

The reactionary movement started when the director of the Museum of Contemporary Art (MOCA), Jeffrey Deitch, whitewashed a mural he commissioned on the exterior of the MOCA building from Blu, a prominent Italian street artist. The image showed  military-style coffins draped with dollar bills instead of American flags (Pic #2). It was to coincide with the opening of the groundbreaking MOCA exhibit on graffiti art called “Art in the Streets.”

Critics called the white-wash “censorship.” Deitch called it being sensitive to the neighborhood — home to a Veterans’ hospital and a war memorial to Japanese-American soldiers.

(Pic #3) “Ayatollah Deitch” response painting by “Anonymous”

In response to his act, an anonymous street artist put up a wheatpasted mural near MOCA that depicted Deitch as the Ayatollah Khomeini, dressed in traditional garb, holding a dripping paint roller  – fresh from removing Blu’s mural from the museum’s wall.

Deitch’s action inspired robust debates on what should be called art and what museums’ roles should be in showcasing controversial work.  According to the mastermind of the red sticker campaign, Nick Douglas, “It’s exciting to see this level of discussion about art in Los Angeles – a pretty rare occurrence in this city.”

APPROVED or DISAPPROVED –“Stick it.”

Now, Los Angeles art watchers have taken to the streets to document their affection for or outrage about the art they see every day. Armed with stickers in hand they’ve begun to express their points of view on work found in back alleys and on exclusive oceanfront property. Some critics have even taken their mission to social media platforms… i.e., “The Gateway” public art project in NOHO (Pic #1) has earned its own “Tear Down the Gateway” page on Facebook. Below, a few more samples of the musings of L.A.’s ad hoc critics.

Whatever you think about the judgements slapped on these works–at least we’re talking.

(Pic #4) “Ape Boy” on LaBrea and 8th “DISAPPROVED”

An anonymous tagger says of the graffitied face above:  “DISAPPROVED — some sort of anime ape boy face wheat-pasted to a switching box. Yawn.”

(Pic # 5) “Veiled girl” – Echo Park – “APPROVED”

(Pic #6) Butterfly girl on Channel Drive beachfront wall in Santa Barbara — “APPROVED”

(Pic #7) “Eat the Rich” – “APPROVED”

(Pic #8) Chain link installation – “APPROVED”

(Pic #9) Echo Park Brown Bear – “APPROVED”

(Pic #10) Mr. Brainwash (detail) – “DISAPPROVED”

(Pic #11) Green Fence – “APPROVED”

(Pic #12) Pepe Le Pew – “DISAPPROVED”

(Pic #13) Echo Park trash – “DISAPPROVED”

(Pic #14) 76 Station mural – 800 No. Western – “APPROVED”

Cool related  links: click here.

 


Filed Under: Newsmakers Tagged With: art critic for a day, art critics, artist Blu, graffiti art, graffiti controversy, Jeffrey Deitch, L.A art, MOCA, MOCA-latte, NOHO gateway, red sticker campaign, street art controversy

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