Artist Spotlight

Chew On This: Gorgeous Gum Wrapper Art

September 30, 2014 by Lonnie Lardner

That’s a wrap! Colorful chewing gum papers provide meaningful daily devotion for one Los Angeles artist.

Artist/analyst discovers the joys of art making – in minutes.

I preach it in my workshops – and to anyone who will listen: “Do something creative – ten minutes a day.” I know about the dramatic impact of daily creative activity – how it changes the way we look at things, and how we approach problem-solving. But every time I see what Leslie Howard produces consistently – I’m talking every day – I’m knocked out.

Leslie is a Los Angeles psychoanalyst writing a complex dissertation for her doctorate degree. She has been spending most of the last 5 years reading, writing, and working with patients. But somehow, she manages to stay true to her commitment: making art from trash – the tiniest of throwaways – and recording the little sculptures on her iPhone. She made over 300 of them last time I checked. She will soon complete a full year.

They are beautiful, whimsical, and sometimes daunting. Daunting because you can’t imagine how anyone can produce another month’s worth of compelling forms. They are tossed out gum wrappers, for heaven’s sake. How does she find so many new ways of re-inventing them? Well, I think the answer is in the task: the more we create, the more ideas flow.

Artist Trashes Her Own Work! Justified?

May 31, 2013 by Lonnie Lardner

You be the judge.

If you’ve ever taken an art class, you know that sometimes the “crit” can be a bit harsh. I suppose we can chalk it up to the ultimate learning experience, but artists, by nature, are particularly sensitive. It’s the reason we love them and the reason they see things most people can’t. It’s why , through their art, they can creatively comment on society, the human condition, pop culture, and the status quo. They spot trends and buck them. They know BS when it crosses their path, and they send up flares when they’ve had enough. In the grand scheme of things, artists lead the way and help the rest of us navigate and formulate thought.

Art critic - spouts artspeak BS Pastel by DeWilton_4tlr

“The Art Critic” – Pastel drawing by DeWilton, 2004.

It’s a considerable cross to bear, but most wouldn’t have it any other way.

Still, even wielding that kind of power – artists can crack when a critic lashes out or tears them down. With one insidious question the critic can annihilate the artist and send him crashing down into an unforgiving abyss of pathetically low self-esteem. (I happen to love the drawing to the left titled “art critic” where the subject’s twisted mouth is basically flying off his face.)

But as an artist, your only mission is to make art from your heart. “If you hear a voice within you saying, “You are not a painter – then by all means paint … and that voice will be silenced – but only by working.” — Vincent Van Gogh – in a letter to Theo van Gogh,in 1883.

”Do what you feel in your heart to be right, for you’ll be criticized anyway .” — Eleanor Roosevelt

Creative Collaboration: The Mystery Of Artistic Alchemy

November 21, 2012 by Lonnie Lardner

Mighty Sam McClain and Mahsa Vahdat

If you follow the news at all, you know that early this year scientists all over the world shared their euphoria over the discovery of Higgs-Boson, a sub-atomic particle they called “a completely new kind of object to never exist before.” And for a moment, even though it made no sense to us, even though the scientists communicated in a language we didn’t really speak, we understood that the end result was miraculous, and so we shared the excitement, and we saw the world a little differently through their eyes.

My recent experience with an unexpected and totally new amalgamation is certainly less important, but for me the euphoria was no less profound. It wasn’t science — but music — that provided that miracle for me. It wasn’t Higgs-Boson, it was McClain-Vahdat. An alchemy of totally mismatched virtuosos that produced a sound like nothing I had ever experienced. And how they got there, is the real miracle. An American Blues master from Monroe Lousiana, who grew up under Jim Crow laws… and a Persian chanteuse who sought artistic freedom in Tehran, under Sharia law. Two incredible musical talents, and all it took to bring them together was a Norwegian poet. But I am getting way ahead of myself.

(Pic #1) Mighty Sam McClain and Mahsa Vahdat at the Skirball Cultural Center, November 8th, 2012

My lucky day:

I was driving on the 405 to L.A.’s West Side when I heard a song on NPR that forced me to pull over. It was called “Two Jewels” – and it introduced me to a kind of art that takes you to a special place – and you just have to tell everybody you know.

It featured the soulful voice of blues icon “Mighty Sam” McClain and a new sound – at least to my ears – that can only be described as hypnotic. While I didn’t know Ms. Vahdat, I recognized the complex, colorful Middle Eastern tones. And somehow, paired with the rich bluesy 50-year-vocal-history of Mr. McClain – magic happened.

I had to know more.

After scouring iTunes to download everything from the duo I could find, syncing it to my iPod for a daily dose, I find out McClain and Vahdat are playing live on the intimate stage of L.A.’s Skirball Cultural Center. I felt like a kid – intent on grabbing front row seats, and inviting my Persian friend Fariba to share in the experience.

On stage, McClain shared a bit of background on this unique collaboration, and revealed that when he first heard Ms. Vahdat’s voice, “I had to turn it off.” Later, he said, “her music grew one me.” Like me, he was hooked.

(Pic #2 ) Mighty Sam McClain sings “Two Jewels” – Skirball Cultural Center, Los Angeles

I asked Ms. Vahdat what happened when she first heard McClain’s music – and she said, “I just cried.”

Each knew they were destined to work with each other. Norwegian producer/poet Erik Hillestad (known for his controversial recording, “Lullabies From The Axis Of Evil” – a compilation of traditional lullabies sung by women from Iraq, Iran, and North Korea) brought the two super talents together with his own poetry and the poems of Iranian Mohammed Ibrahim Jafari. Their melodies are based on Iranian folk music, mixed with bluesy English and classical Farsi vocals. It was pure adventure.

(Pic #3) Persian songstress Mahsa Vahdat, Skirball Cultural Center, Los Angeles

What a gift to see and hear this Iranian gem perform. Because the sobering truth is – after the Islamic Revolution in 1979, in Iran the female voice was banned in public and even now female singers can only perform for “women only” audiences or alongside a male voice, and they can never publicly sing solo.

Vahdat and her sister Marjan recorded a concert in 2008 in Tehran, at which the two performed without veils in a statement about oppression of women in their country. Mahsa’s bold resistance earned her the 2010 Freemuse Award – which advocates freedom of expression for musicians and composers worldwide.

On stage Vahdat told her audience, “Politicians may try to drive us apart. But art and culture can bring us together.”

Miss Vahdat is right — art and culture, like those unknown sub-atomic particles — can sometimes collide, and in that moment, in some small way, the world changes.

(Pic #4) Lonnie Lardner and Mighty Sam McClain, Skirball Cultural Center, November 8th, 2012

The pair has recorded two albums together: Scent of Reunion (Love Duets Across Civilizations) and Deeper Tone of Longing (Love Duets Across Civilizations). Highlights: So Blue, Silent Song, Deeper Tone of Longing,Two Jewels, and Sun of Iran.